“Frankenstein” was
written by the daughter of Uhr-feminist Mary Wollstonecraft (hold
that thought). What was Wollstonecraft's main point in “In
Vindication of the Rights of Woman” (1791) again? That women should
be granted a proper education (which would render them more
respectable in the eyes of men). Wollstonecraft died less than a
month after giving birth to Mary Shelley (hold that thought as well).
By the time the book came out, Mary Shelley was about 19 and had
already lost a child at birth (she would have been 17 or something!!)
and had become a mother.
So how does
“Frankenstein”'s story proceed? Well, the first half of the book
pretty much consists almost entirely of an unending demonstration of
personal knowledge by its author as Shelley proceeds to show us that
she has read up on biology, physics, history, poetry, literature,
botanics, and their likes dead hard yeah. (Note to Mary: nobody likes
a show-off.)
The actual bit about
-y'know- creating a living creature, huh? takes about... one page,
two at the most and -lo!- the monster takes his bow for the next
fifth of the book, allowing Shelley to turn her attention back onto
on her ill-at-ease in society education crazy student (gee, I wonder
why...)
Two thirds into the
book, Shelley then remembers that she was supposed to write a story
and -lo!- the creature reappears to wreck havoc on his creator's
family life. Said creator, when given a chance to show clemency
towards his lonely creature, shoots himself in the foot big time and
more tragic events ensue to conclude -or does it???- on the North
Pole.
A few remarks.
The book is narrated,
like many of its time, by an extra-diegetic character who recounts
the story, as told to him, by letter (cf. “Wuthering Heights” or
“Dr Jekyll 'n Mister Hyde” -kind of).
There is definitely
something going on about not giving birth here: first of all the
creature is not born out of a woman; then Victor's future bride is
adopted into the Frankenstein family; the marriage is not consumed;
the narrator is childless, and so on and so forth.
You would have to be
as thick as Donald Tr*mp not to get the parallel between Walton (the
narrator) and Victor Frankenstein -yawwwn. Not to mention the less
than subtle references to “Moby Dick”or “Paradise Lost”.
All in all, I would
argue that the book is brimming with barely disguised personal
hang-ups (regarding education, family structure, the victimisation of
women...).
In short, another one worth reading for yourself: you will discover
an entirely different text than the one you would imagine if you were
to base your appreciation of it on its seriously sexed up
cinematographic adaptations.
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